It is evident that Xiang Jing tries to finding a direct way for the visual reflection of the adolescents’ affliction coming along with their unbalanced mind condition in the process of value conception conversion and morality perceiving, which are no rare phenomenon in young people’s life.

Xiang Jing’s painting style colour up,her sculptures which is concise and controlled, proves to be an unreplacable art language in her works.
Young girls’s images, stimulated by colours, absolutely deny the worldly poetry and slide over the meaning of images in social criticism. However, they amazingly accord to Xiang Jing’s daily life, therefore bear traits of existentialism. Xiang Jing’s awareness of art language and consciousness of taking individuals as art subjects are still distinct in the sculpture coterie in China.