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Opening<\/p>\n<\/div>\n

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Saturday November 26, 2016<\/p>\n<\/div>\n<\/div>\n

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Duration<\/p>\n<\/div>\n

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November 26 till December 10, 2016<\/p>\n<\/div>\n<\/div>\n

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Location<\/p>\n<\/div>\n

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CEAC (Xiamen, China)<\/p>\n<\/div>\n<\/div>\n

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Artist<\/p>\n<\/div>\n

Emilie Hudig<\/a><\/div>\n<\/div>\n<\/div>\n
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This is the artist\u2019s first solo-show in China.<\/p>\n

During her artist in residence at the CEAC Emilie Hudig made a travel story. Inspired by a long tradition of travelogues and journals, which goes back to the 1600\u2019s when the famous Dutch skipper Bontekoe wrote about his voyages to the South Chinese Sea.<\/p>\n

Her approach follows the more literary genre of the \u2018imaginary travel story\u2019 of which Robinson Crusoe by Daniel Defoe is perhaps the most famous. As a photographer with both a documentary and a poetic body of work Hudig is inspired by Defoe because he made \u2018truth seems like fiction and fiction like truth\u2019.<\/p>\n

In her \u2018imaginary travel story\u2019 she is exploring the relationship between objectivity and subjectivity and the role of intuition and creativity in relationship to depicting reality.<\/p>\n

The word itinerary comes from the latin, itinerar\u01d0us, it means a sequence of various points on a trajectory, it doesn\u2019t have a minimum or maximum length of time and includes places, stops and accidents that can be found along the route.<\/p>\n

About her work she says: \u2018I am especially interested in the \u2018accidents\u2019 along the route. I seek for the perfect accident, the perfect imperfection in my images. Magical and mysterious. For me, a metaphor for life. At least my life.\u2019<\/p>\n

Gallery<\/h4>\n\t\t\t