Sigurdur Gudmundsson<\/a><\/div>\n<\/div>\n

CEAC exhibition<\/p>\n<\/div>\n

SigurdurGudmundsson began his artistic activity in the 1960s.
\nHe is making projects as documented and undocumented performances, photographs, drawings, prints, sculptures, installations and even musical compositions.His work can be divided into two periods. The photographic period until 1980 that brought his work all over the world through numerous international museums exhibitions and collections. After 1980 he started to do more sculptures, which also have been displayed in most of the European countries, in America and in China.<\/p>\n

SigurdurGudmundsson is one of Iceland\u2019s most international artists. Within the last twenty years he has mainly been living and working in China.
\nMajor solo exhibitions include shows at the Baltic, Gateshead (2003), Malm\u00f6 Konsthall (1992), Kunsthallezu Kiel (1993) and several shows at the National Gallery of Iceland and Reykjavik Art Museum. Many of Sigurdur\u2019s works are in the collections of museums throughout Europe and he has made a number of public sculptures located in the Nordic Countries and Central Europe.<\/p>\n

Gudmundsson’s idiosyncratic work is difficult to separate from the energetic and witty artist himself. His art has been based on a non-hierarchical flow between photoworks, sculptures, performances and \u00b4visual poems\u00b4. The photoworks
\nfrom the seventies depict human existence in a humorous and pointed
\nway as part of nature. Throughout his diverse and prolific career,
\nGudmundsson has undauntedly applied new methods and ideas but always
\nin his unaffected and personal approach, for example working with a
\nhypnotist in his performances to reevaluate his own work as an art
\nnovice. Sigurdur has also published three novels.<\/p>\n","protected":false},"excerpt":{"rendered":"

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