The process of classifying and ordering a series of images found in the archive of “Lazkaoko Beneditarren Fundazioa” prompted me to rethink and decontextualize the actions represented, putting the focus on the performative character of these same. This project it is been a journey from the resistance to the pursuit of pleasure; has placed me in front of issues like the art structure versus culture system; identity built by ideology or built by the exercise of everyday life; when are we in the ideology of the subject and when are we in the ideology of art. To sum up, when is about the sign and when is about the symbol.